We just wrapped up photographing Hannah & Charlie‘s Wedding this weekend, so now we can share her fantastic bridal portraits from Lone Oak Barn. Lone Oak Barn is one of our favorite venues so we had to work hard to show off all of it’s potential. The wind had a mind of it’s own and presented us with 25 mph winds for the duration of the shoot. We started off inside to keep Hannah’s long locks in decent shape before we ventured outside to see what drama we could add with the wind. We ended the session with lensbaby 35 for some crazy light bending in the courtyard at blue hour. We hope you enjoy, and keep watching for their wedding post too, a guitar playing-singing groom?
Continuing in our Soaked Series, we had another fun, windy, wet and stormy session a few weeks ago and I wanted to share a few photographs while explaining our process. First, let me start by thanking our participants Sanchita, Dandie and Cassidy. The temperature dropped and the wind picked and yall were troopers to pose with cold water raining down upon you. Adrian with Revelry Beauty was a big help in doing hair and makeup, plus she held reflectors, water hoses and generally was a big help on set. Andrew with for being a second shooter/helper/inventor/part-time model thanks for your help too.
Our plan going into the day was to shoot again my big black fabric backdrop and to play with shutter speeds to get different length rain drops. The weather had other ideas as we got halfway through our first session with Sanchita and the wind became more than our sandbags could hold a 10×20 foot backdrop. The wind brought clouds and we problem solved by reversing our shooting position from shooting into my garage to shooting into the street. We also utilized my side yard to use my neighbor’s house as a wind screen. We had to shoot pretty tight and the models stood on top of a folding ladder to get enough elevation to clear the row of houses. Look at the last photo to see our setup.
Another big change for me is the use of the beauty dish. I have been shooting mostly with my paul buff long throw reflectors either bare or gridded but I wanted a wider throw and closer range and the beauty dish was a win for that solution. Need to continue exploring the edges of the beauty dish’s light, I think there is an interesting edge there. We also need to get another round of big gel sheets. I had a lumopro 180 with various Rogue Gels on it, but it doesn’t come close enough to the power of an Einstein640 on full power. Next time, I think we will gel the AB800 backlight. Looking to have more fun with color in this series and match the backlit color to the clothes/makeup of the models.
Already have the idea for the next installment of this series, leave a comment if you want to participate or if you have an idea of where a localized rainstorm would make sense.
Chelsey and I met up again at Ramaker Stables in Leader, Texas. We had about an hour to knock out some different looks and get a 17 hand horse named Bentley involved. No problem.
We started in the Small Barn, not as new as the Big Barn, but more colorful and possessing more character. I was thinking something along the lines of images out of Dover Saddlery, but prettier.
Tried working with some backlit/Ezybox combo’s, but they weren’t working for me. Ended up with an over/under lighting scheme to bring some beauty and contrast to Chelsey.
This image has a Lastolie 24 inch Ezybox (my favorite) on top, with a big reversible umbrella on the bottom, both are off to one side slightly.
Remember in part one, when I said there were no clouds. That changed for the better.
The barn was fun, but then the sky did me a favor and went wild with clouds and color. Let’s ditch inside the barn and go crazy with the sky’s.
What is more fun that a senior and great skies? A senior, her horse and great skies!
Thanks again to Chelsey for being a wonderful model.